2U rack IPD (Interactive Phase Distortion) synthesizer. Rack version of the VZ-1 keyboard that was Casio's answer to FM techniques. Each voice consists of 8 modules grouped in pairs each of which can modulate others by ring or phase modulation. 8 parts and 16 note shared poly.

Standalone 1U modular DSP synthesis system under software editor control. Second generation of the Nord Modular with vast improvements in MIDI, FM, delays, effects, etc. Also incorporates a revolutionary Patch Mutator system based on genetic algorithms. 4 parts, 4 inputs and 4 outputs. A desert island gem.

Standalone 5U modular DSP synthesis system under software editor control. Front panel knobs can control any parameters of any modules. Complexity of patches determines polyphony as the DSP is dynamically allocated. 4 parts, 4 inputs and 4 outputs. Unbelievable depth.

6U rack modular analogue synthesizer with 23 modules. 1x MIDI Interface A-190, 2x Standard VCO A-110, 2x ADSR A-140, 2x LFO A-145, 1x Ring Modulator A-114, 1x Audio Divider A-115, 1x VC Waveform Processor A-116, 1x Noise/Random A-118, 1x VCF1 A-120 (24dB low pass 1), 1x VCF2 A-121 (12dB multimode filter), 1x Linear VCA A-130, 1x Logarithmic VCA A-131, 1x Linear Mixer A-138a, 1x Logarithmic Mixer A-138b, 1x Dual S&H A-148, 1x Trigger Divider A-160, 1x Trigger Sequencer A-161, 1x Dual Slew Limiter A-170, 1x Multiple I A-180

Built around the MOS6581 sound chip of the classic Commodore C64. Gritty, blippy, dirty sounds. An inspirational classic.

64 voice multi-timbral sample based synthesizer module with z-plane filters and 16 channel arpeggiator.

2U rack sampler. Digital sampler with powerful EMU synthesis and effects. 16 parts and 64 note poly. 10 outputs and digital I/O.

Very unusual 48 voice keyboard synthesizer which uses 2nd-generation Transwave technology (harmonic wavetables). Includes a complex arpeggiator and is up to 4 part multi-timbral. Ensoniq is now part of Emu.

1U rack synthesizer that incorporates several different synthesis techniques including FM and subtractive. 8 parts and 16 note poly.

2U rack additive synthesizer. Up to 6 PCM or additive oscillators per patch. 64 partials (harmonics) per additive oscillator each with independent envelopes and 128 band formant filtering. 4 parts and 32 note poly.Totally unique but unquestionably difficult to understand.

2U rack wavetable and vector synthesizer. The definitive Wavestation. Analogue inputs can feed directly into voice architecture or through the internal effects processors. 16 parts and 32 note poly. Balanced XLR outputs. Designed by Dave Bristow, formerly of Sequential, who designed the Prophet VS.

1U rack ASM (Analogue Sound Modelling) 808/909 drum synthesizer. 6 individual and L-R mix outputs. As close to the originals as possible.

6U rack ASM (Analogue Sound Modelling) synthesizer. 3 oscillators + noise and ring modulation per voice. Polyphonic arpegiator. Independent multitimbral effects. 6 parts and 32 note poly. 6 outputs.

3U rack analogue synthesizer. Classic analogue filters (CEM) and stable digital oscillators under microprocessor control (6809). Unusually flexible modulation matrix. 6 note poly.

The classic LA (Linear Arithmetic) keyboard. The first of the sample and synthesis machines.

3U rack phsical modelling synthesizer. Vastly complex synthesis engine based an physical modelling techniques. Oscillators consist of sample based drivers and modelled resonators. Patches consist of up to 4 oscillators in combination with traditional envelopes, filters and modulation. Powerful effects engine. 32 parts and 64 note poly.

2U rack monphonic analogue synthesizer under digital control. 3 oscillators + noise. Powerful arpegiator and modulation matrix.

5U rack wavetable synthesizer. 44 realtime control knobs. 64 wavetables including user definable. Powerful modulation matrix with 16 virtual patch cords. 8 parts and 10 voice poly. 4 effects processors.

The synth that changed the world - in the 1980s at least. 6 operator FM with gritty 12 bit D to A converters and one of the best keyboard actions to be found. Provider of the classic FM Piano 'E.PIANO 1'.

1U rack formant shaping and state of the art FM synthesizer. 4 parts and 32 note max poly (dynamically allocated).

8x TF1 modules in a 4U rack. Each TF1 module is essentially an independent DX7 (6 operator FM with gritty 12 bit D to A converters). Common or independent MIDI operation. 16 note poly per module.

1U FM rack. Only 4 operator but with 8 waveforms. 8 parts and 8 note shared poly. Basic onboard pseudoeffects. Provided of the classic 'Lately Bass'.

32 channel 8 buss in-line recording console. 72 inputs at mixdown. Dual faders per channel. 4 band parametric split EQ. 6 aux sends. 4 dedicated stereo return strips. 2 valve channel stages. Mute automation and MMC.

Biamplified reference monitors.

Dual channel compressor and expander/gate. Channel link and sidechain access. Soft and hard knee modes.

Biamplified studio monitors with 6" woven glass aramid composite woofer and 1" soft dome tweeter. 49Hz - 20k response.

Dual channel compressor and gate. Channel link and sidechain access. Automatic mode.

24 bit digital reverb processor. Dual independent processing blocks with dynamic separation. RSS. Smartmedia patch storage. MIDI control.

3U rack consisting of 16 high quality independent 3 band semi-parametric EQ units. Sweepable frequency and dynamic Q. A fairly rare US product.

Multitap digital delay. Ryhtmic delay taps (can be quantized). Feedback filter, ping pong and dynamic control. Digital I/O. MIDI control and sync.

Multiband stereo compressor. Multiband, fullband and envelope compression modes. 3 bands. Soft limiter. Digital I/O. MIDI control.

Stereo effects processor. Basic effect editing and patch storage. Global effect EQ.

5U rack MIDI fader and sequencer. 8 track analogue style pattern sequencer. Direct CV/Gate output per track. Up to 16 steps per track. 24 fully configurable MIDI faders.

Stereo recording and playback card. Superb quality AK4528 converters. Balanced stereo inputs and outputs. 8 virtual outputs for multiclient operation. Digital I/O with 24bit/96kHz capability.

Indigo IO offers one stereo 1/8 inch analog input and output on a Type II Cardbus card powered by your notebook computer. It combines this with 24-bit/96kHz converters for the quality you deserve.

8 independent MIDI IN and OUT ports for a total of 128 channels IN and OUT. AMT (Active MIDI Transmission) technology for tight MIDI timing across all ports.

Portable MIDI keyboard controller.

1U firewire 24-bit 96KHz audio interface with 20 inputs and 22 outputs - 10 balanced analogue I/O, 8 ADAT digital I/O, 2 S/PDIF I/O and stereo headphone. In addition two analogue mic/guitar preamps, ADAT Sync, SMPTE I/O, BNC Word Clock I/O and MIDI I/O.

Small USB 2 port MIDI interface. Can be powered via USB.

Flexible 2-Octave MIDI Controller with USB and MIDI interfaces.

16 channel 4 group in-line recording console. 40 inputs at mixdown. 3 band EQ with fully parametric mid. 4/6 aux sends.

Stereo effects processor.

28 input, 2 bus, rack mount recording mixer.

28 input, 4 bus, rack mount recording mixer.

Old school 16 bit keyboard sampler. Max sampling frequency of 32kHz and 1MB memory. Large LCD and graphic editing. 8 individual outputs.

Dual independent effects processor. Flexible multiple effect configurations. 4 inputs and 4 outputs. MIDI control and sync.

Laptop drum synthesizer and pattern sequencer.

Laptop sampler and pattern sequencer. Ideal for phrases and loops. Smartmedia storage.

5U rack analolgue modelling synthesizer. 2 oscillators + noise per voice. Virtal patch system and modulation sequencer for synchronised control changes.

Very powerful handheld sequencer and synthesizer. Sequencer is pattern/song based. Onboard synthesizer is AWM2 and largely GM/XG but editable. Effects are great. 16 parts and 64 note poly. Very good large LCD which means battery life is short.

Fun but very limited handheld sampler with a ribbon controller for realtime effects.

Stereo effects processor. Basic effect editing and patch storage. Global effect EQ.